AIDS,
THE EXILE OF
SOLIDARITY

    In the life story of Herbert Daniel, one sad characteristic persues him: his restlessness, his lack of composure, brought him to the limit of death whether it be political, civic or physical. The limit of his restlessness, the great impulse that made him react to politics and interact with it, determined his vanguardist eloquence, his marginalization.

    His fields of battle, life, this our political life, broke the paths of solidarity impelled by his grief, his banishment.

    And thus it was for the fourth and last time. His truce with fear, with pain and with exile lasted eight years: from the moment when he had his political "crimes" extinguished in 1981, until the moment when he became ill, with an infection typical of AIDS, in 1989.

    However, in this same period of truce, he understood that that ilness was very close to his generation, sensing the possibility of being contaminated, like so many of an age group that was taken by surprise and did not know why to practice sex with security.

    Herbert Daniel had the clear perception of the permissive dialetic associated with the disease that accompanied the first news bulletins about the subject; "gay plague", "gay cancer" and so many other epithets that were supposed and sold as a divine act of justice for a part of the population that deserved punishments and death. It was the moment of the blacks taken from their lands and their culture to serve white slavery, it was the moment of the Jews in the Second War, came the time of the homosexuals, through the action of a virus that targeted the most varied sort of sinners, contemporary representations of Sodom and Gomorra. Hidden enemy, microscopic and incomprehensible, the virus installed itself in the slightly informed and ignorant consciousness of many, justifying and catalyzing prejudices and hatreds fortified with its deadly potential, loaded with a political charge much more powerful and deadly than the viral charge: the civil death of the carriers of HIV.

    His perception, indignation and solidarity concerning the events that related cases of AIDS to violent reactions, prejudice and discrimination led him rapidly to write in 1987 the novel Alegres e irresponsáveis abacaxis americanos (Happy and Irresponsible American "Pineapples"). This precocious work addressed the theme of AIDS with the focus of that new and terrible phenomenon of social reactions to the new menace, the paths of exile, confronting the construction of the myth, of the cruel foretoken of the reactions of society, impotent and capriciously poorly informed or disinformed about a frightening and threatening epidemic.

    His eloquence became much more bruising from the moment when he was seized by an opportunistic infection that brought him to the doctor; there was diagnosed in a manner improfessional, cold and mechanical, the beginning of the development of an ilness characteristic of AIDS.

    At this moment begins the last exile of Herbert Daniel. The guerilla of solidarity is born.

    His last two books , Vida antes da morte (Life Before Death) e Aids, a terceira epidemia (AIDS, The Third Epidemic) - were written from the starting point, and in terms, of this life, of the indignation, of the reflections resulting from his defiance at admitting the civil death imposed on the carrier of AIDS.

    His experience of the coldness of a physician was the starting point for the construction of his solidary reasoning. The experience that he termed "forty seconds of AIDS", the time that he had to absorb that sad verification before the indifference of a dehumanized medicine, was written, published and discussed with exact periodicity in his texts in participatory newspapers, as in "Anotações à margem do viver com AIDS" ("Annotations at the margin of living with AIDS"). .

    There follow below some stretches of the text "Quarenta segundos de AIDS" ("Forty Seconds of AIDS"), published in the book Vida antes da morte (Life Before Death) that can be accessed in its entirety on your computer:

    "...But I was not unprepared. I was alive. I am alive. The most horrifying, and I write this page to protest against this, was the absolute lack of preparation of the doctor who gave me the news. This man, yes. Illustratious representative of a fossilized medicine, that has more of terrorism than of science, he is not prepared to deal with people, sick or not; he is prepared to deal with apparatuses, bacteria, torture and murder...

    ...I went to find, in an emergency, a "physician" (the quotation marks serve to avoid affending other worthy professionals, like those who attended me with such solidarity later). I did not know him, but I had indications of his "technical competency." Crass error! The technical competency of a physician is his humanity, not a training of conditioned reflexes...

    ...He returned, directed that I dress and communicated to me in three sentences that I had a pneumonia caused by Pneumocystis carinii, "reliable indicator of an immunodeficiency." He would give me the medication (which he did, but in questionable doses), after I had the test to confirm the "other illness" (as he said euphemistically) that caused me to have the pneumonis...

    ...(Some days later, in very different circumstances, it was confirmed that I had AIDS, but the reason for my crisis was a ganglion tuberculosis. Very probably I never had the pneumonia that he diagnosed. Very probably he "saw" the P. carinii through the glasses of my homosexuality, as many "physicians" were doing.)

    Horror - was exactly what I felt. I had in front of me a diagnostic machine, a dehumanized medical apparatus that could, suddenly, catch me in i ts gears and take me to something much more terrible than AIDS: the indignity of an empty death, hospitalized, death as a vital experience stolen from me. I feared above all the future which that monstrosity foretold to me. I knew that I was going to be subject to a series of infections, and I feared having, because of that, to remain subject to the totalitarianism of that medical jargon driven by that rabble of specialists in dehumanization.

    I have AIDS. This is a corporal experience of which I still have much to tell. But that has nothing to do with the illness that I had there, before that "physician".

    I left that consultation room unhinged. Forty seconds of AIDS! I escaped. Cláudio, my companion, waited for me outside. My friends waited for me. Life waited for me. And I freed myself of that horifying discase that killed me for forty seconds.

    I escaped. With the conviction that is needed to liberate other sick people from this problem."

    Herbert Daniel, in the sequence of the text, narrates, some days after the consultation, during a night of feeling bad that left him insomniac, how he passed through a moment of intense and profound reflection that changed him, that awakened him to the real world, of new possibilities for the challenge of AIDS. In that moment, after a nocturnal and unexpected communion, he concluded among other precious reflections:

    "...The manner in which the AIDS epidemic is being treated in Brazil is going one day to make part of a museum of human stupidity, where the beastiary of AIDS has imnumerable installations. The lack of specific understanding about the disease, associated with the ideas received from generalist manuals, plus a dose of arrogance, all this has killed many people. And it was not from AIDS. It was rather from a condemnation to civil death that touches those who are serum positive or not, that contaminates the whole Brazilian population.

    The absence until today of an integrated national strategy to combat the disease, substituted by misplaced and impertinent initiatives, such as terrorist or silly campaigns on television, and lies spoken in an academic tone, have produced the most monstrous collateral effects. In sum, the worst of them is civil death, the absence of basic rights to life and health..."

Stretch of music "Aqui e agora" ("Here and now" by Gilberto gil), sung Gilberto Gil :

Stretch of music "Aqui e agora" ("Here and now")
(by Gilberto gil), sung Gilberto Gil

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